Maria Eliana Soza, The methodical nurse #50 [Desaparecidos - ENG]

Played by : H. O.

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The military. "The country is safe, because we have a good secret service” (A. Pinochet)

Soldiers, army members, ordinary police, Carabineros, and agents of the DINA, the feared and dangerous secret police.
They are military, but also politicians, in a mashup common in dictatorships. They can be cold, but also cruel and violent. They are respected by some, and feared by all. Among them there are loyal soldiers, but also ambitious and ruthless individuals that hide their perversions behind orders and an uniform. They are the fist of repression, justified by the need to maintain order and safety, avoiding any opposition that might destabilize or damage the government, protecting Chile from the soviet menace.
Their gameplay will be related to physical and psychological abuse, discovering brutality, and they will be torn between duty, discipline and moral dilemma.
THEMES: human dignity, responsibility, duty, morals.

Teaser:

Everyone who knew her would describe Maria Eliana Soza a quiet and methodic woman. It shouldn’t have come as a surprise, then, when she made the only rational possible choice, when she stopped working in Santiago’s hospital, to become Dottor Olivarez assistant and a DINA agent. Eliana is placid and practical, ma even frozen seas often hide rumbling volcanoes, waiting to explode and change the face of what they meet with destruction

Relations:

When working at the hospital, before President Pinochet, she took care of Umberto Egardo Mewes  , saving his leg after a work accident. In this way she became a good friend of his wife Adriana Urrutia Assenji  . Juan Felipe Cristobal   looks haunted after their first and only encounter.

Alignment: The regime - Group: The Military - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.

It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.